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What's the best way to get started as a producer in terms of learning software functionality and not musical theory?

FUNDAMENTALS.
I say this all the fucking time and I cannot stress any more how important it is. Learn all the aspects of production: What are synths, types of synths, the mixer, the DAW, the signal flow, modular functions, acoustics, etc. Start from the ground up. You can't stand if you have no legs.
If you look hard enough, you'll find the information.

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Tried to recreate the sound of "rapid fire" in cubase and failed:) This chopped filter pads you use in "Refrain", is it something FL specific? What kind of plug ins or synths would you recommend in order to achive the authentic glitch hop sound?

The chords are made by Rob and I, and we used different things.
'Authentic' glitch hop sound? What is that even. It doesn't matter what you use (to a certain extent)--it's how you use it.

y0 Auv1c. how ya rek dem nudles quikscope across map with ze fre4ky funky mel0dies m8. i swer on me nans grave.

lolz wat is even

Who do you want to do collab in future?

Anybody who I think would be a great fit, where we could combine our styles and make something cool.

How you adding vocodex in voice samples like in "Music Is A Movement"? I tried to add him, but he's not want. :(

Ok Mr. Europe.
Firstly, Vocoders utilize two things: Carriers and Modulators. In this case, the Modulator is your voice, in which it modulates the carrier with vowel sounds, causing your sound to 'speak.' The carrier is your synth sound.
The way it works in FL is that the Modulator (audio sample) is routed to the mixer channel of the carrier, with it's output to that channel AND the master channel is 0%. The output of the Carrier doesn't change.
On the Carrier's mixer channel, you should have Vocodex on, and it should be automatically routed and set for you.
Alternatively, you can just have the Modulator channel to have a microphone input so you can use the vocoder in real time rather than just feeding a recording.
Have fun.
Get a translator if you didn't get that.

I had a thought... was part of your idea process behind the creation of your "main" lead's glissando use in most songs due to you not being able to do such a thing on piano and you wanted it in your songs?

Not exactly.
What I noticed when I started using that lead was that it wasn't unique--the sound. Of course, how the sound is being used in context and composition are key aspects of creating something that's... you.
Despite the general and widely used sound of the lead, I noticed, even compositionally, the way a lot of musicians were writing these leads were... too simple. Mechanical. 'Inhumane,' so to speak. To humanize it more, I added portamenta (glissando I suppose), slides, vibratos, dynamics in velocity, and among a few other things. Not a lot of people are really doing it. And when and if they do, it's only used once or twice.
If you look at a guitar player, they will add a lot of those things--for flavor. If they just played simple notes without these 'enhancements,' it would sound so... boring. Tasteless.
All-in-all, no it wasn't because I wasn't able to do it on a real piano. I don't even do those things on a piano synth because pianos don't sound like that. It was just to give the leads more flavor and excitement--and those additions are never random. They're carefully chosen for emphasis.

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I love you so much. like I don't think you understand. Honestly, one day I hope to work with you, but you're popular and I am a nobody. and if the collab can't happen, it'd still be cool as fuck to talk to you sometime and have a conversation with you about music.

PatrickHarmonY’s Profile PhotoPatrick Harmon
Yeah why not hit me up

Your lead...how...how you make him? Share the secret for your fans

I've literally showed people 1000000000 times how to make my lead, and it's the simplest thing in the world. I'm done showing.

On Soundcloud you're grow so fast last month. It's because ppl love calm piano music?

that's right it's the new banger. forget dub step, trap, and deep house. It's that piano shit makin everyone go cray

I dig your music heavy, especially that swing track you're doing with Pipo, can't wait for that. I want to do some electro-swing tracks in the future. Would it be possible to chill on skype sometime?

yes.
yes it is very ok

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